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Darksiders - Review

It is said that the ars gaming is the daughter of film-making, and analyzing the path that the average digital home entertainment is making in recent years are many confirmations of this claim. There is therefore no surprise that at the dawn of 2010 Darksiders is proposed as a product born of a very popular trend in film, or as the result of a major investment by a renowned publisher handed it over to a house of emerging development, as Vigil Games.

Led by Joe Madureira, a design that has made its way into the world of Marvel comics in the house, the software house brings an action game on the shelves in the round, featuring gameplay complete in all respects together with an unusual design and captivating. Without hiding the derivative nature of its contents, Darksiders stands out from the crowd with an incredible density of contents and an above average level of challenge, aiming to work hard even the most hardened gamers.

As one of the four horsemen of the player is to cross that remains of a land devastated by the Day of Judgement and torn by a conflict between Heaven and Hell. Betrayed by all and accused of having unleashed the Apocalypse first time, a war that remains is to take up arms and seek to recover all of its destructive powers to get his revenge. As the nature of the gameplay remains firmly anchored to the stylistic features typical of the Action game, mostly inherited from Zelda will head long and exciting sections of the puzzle / platformer where you'll end up in solving complex environmental puzzles. What makes these particularly amusing interludes often is the large amount of gadgets that will make War, which proved that the derivative nature of the whole of the game design: moving from a hook in Bionic Commando to a circular blade can hit more targets in sequence, until you get to quote the most extreme in the Portal. Yes, by about half adventure the player will find himself to create points of entry and exit points within specific maps, and all in all so remarkably suited to the context. The fact that this complex formula functions is an indication of the good work done by bonding developers, who have not been limited to bulk quotes throw into the cauldron, but spared no effort in a remarkable work of balance and design of a very fine level design , which in addition to amaze with its many interconnected levels reveals absolutely functional capabilities provided to the player.

To this is added a combat system that pays tribute to the legends of plenty of fun and usually without inventing anything new, offering a good variety of combo linked to the various weapons available: the giant sword, you move a sickle useful against large groups of enemies, through the saw blade and a gun holder. Interesting in this regard the introduction of the steed Ruin, available from about mid-adventure: riding in some areas only open levels, from his saddle can lead to blows quite spectacular results.

The pace is punctuated by crossing many different environments, each with its own design and shades, providing great visual variety that takes away any boredom. The multilevel nature of the maps, the smart environmental puzzles and massive doses of combat make each complicated path and satisfying to complete, offering in conclusion a boss fight. This last point all the spectacle and challenge the player to systematically find the weak point of the enemy in turn, not always easy to spot. It must be said Some of these clashes are long over, repeating the pattern of attack necessary for success beyond necessity.

inherited from the main exponents of this kind is the accumulation of souls can be spent in a wide sector upgrade, which makes available new combos for each weapon and new powers of destruction.

Although the combat system proves to be complete and sufficiently varied to be allowed for improvisation, there remain some flaws: the counter is badly managed to the point of being mostly unusable, the lock on enemies proves entirely useless, and often linked to dodge some problems with the camera. The defect list is added to some imprecision in the level design, which sometimes leaves the player completely without clues about the next move to be made, especially towards the end.

The plot, as well helped by the charisma of the protagonist, shows a depth completely ridiculous, predictability and a really obvious.

As final note, it is disappointing to note that after completing the adventure is not possible to repeat with all the powers unlocked, lowers the replay value.

Technically, Darksiders returns effectively its design architectures characterized by massive and vast horizons, cleverly disguising the actual size of the levels, not always generous. The alternation between good indoor and outdoor areas and the intricate paths available are making it fascinating to explore. The design reveals his comic inspiration, and outlines a beautiful stretch angelic and demonic creatures evocative and convincing.

The approximately 16/17 hours needed to complete the adventure after all run faster, and make this Darksiders a product to recommend to any fan of action game, for Although some defects reveal the inexperience of the software house, a Vigil Games is credited with having managed with great skill the large volume of quotes and inspirations that make up the gameplay. A great start for young Texans, and the large leaves wide open the final hopes for a sequel that is able to bring some innovative ideas, and fix the defects.

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Sherlock Holmes - Review

The film adaptation of a literary myth is always a delicate operation, and is easy to miss the mark. In this sense, Sherlock Holmes is a bit 'a paradox. If the investigator can set to shine thanks to Robert Downey Jr. in spectacular form, and Jude Law does a wonderful job to rejuvenate and invigorate Dr. Watson, if London convinces his dualism that divides between the temple hidden rites Masonic mold and heart of the nascent industry, the same charm fails to convey the plot, that reveals its weakness under a veneer of ostentatious complexity. And there is no more serious crime to leave the greatest detective of all time without a fascinating case with which to measure.

As the villain Lord Blackwood is charming and reasonably interpreted its plan is uneven, ambitious and without shadow oltemodo considered credible enough to give the detective yarn a hard time, the item is hidden and then detached from the extreme concreteness of the ultimate goals, and is thrown into the fray for the most fashionable issues of relevance to the actual story. The same puzzles that the detective has to solve (most of which are revealed only in the final) are so intricate as to be incomprehensible even to the most acute observers, mostly betraying the spirit of Conan Doyle, who explained with great clearly the thread deductive in its pages.

As the plot therefore appears shaky, to make the show interesting are the best inventions by the directors of Guy Ritchie, who is adept at placing confirms its objectives in the right places, with a dose of originality and innovation is not negligible; interesting in this regard the use of a special camera that can dilate enormously in just one second shot, creating incredibly slow and enjoyable set, used mostly in fun fight scenes. Ben is determined also the humor, which lightens the characters often without cripple the performance.

is made in each case and spends two hours enjoyable film are the two main characters, caught between the other in a delicate moment of their indissoluble partnership: accomplice to a fatal Famme, Watson is in fact going to move and marry, much to the chagrin of Holmes. Investigation of Baker Street is returned to the original image in its own way, with an emphasis on the eccentricity and the famous mood imbalances well metered.

The final wide open turns on hopes for a sequel that can be based on a story more credible and inspired by the famous cases narrated by Conan Doyle, fueled by the appearance of the infamous Professor M. a few moments before closing. Given the great collections that the film is recording you can bet that the announcement of a sequel will not wait, and how the current film does not entirely satisfy us is discovered waiting anxiously

if only to still enjoy that wonderful chemistry that the two characters they create.

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Moon - Review

Moon is, in many ways, a work of nostalgia. Are the aspects of science fiction, which pay homage to Kubrick and plenty Tarkovski, the most purely narrative, are interested in the oppression of a large multinational, and technical, with special effects and set design taste decidedly retro '.

The result is a film to be recommended especially to a nostalgic fiction that the 2000s have plenty of neglected and that only in this end of the decade looks set to recover.

In the near future the corporation on the Moon Lunar Technologies discovered a new source of energy much more efficient and less polluting fossil fuels , Helium 3 is the energy of the future.

Providentially, its extraction requires little human resources: a single technician can keep an eye on the operation of a fully automated basis, and perform daily tasks of monitoring and collection. Sam Bell (Sam Rockwell) is to successfully fulfill a contract for 3 years has bound to work solo as a controller of the lunar station, the only company consists of Gerty (voiced by Kevin Spacey), a sentient robot can not remember the HAL 9000 of "Space Odyssey", without giving up on a personality of its own. Sam's life, punctuated by waiting for the video messages of his wife and small daily activities to combat loneliness and paranoia, changes radically with the emergence of glimpses to open eyes. Following an accident caused by one of these hallucinations, the protagonist begins to see another wander around the base itself, and discovered to be able to interact. After the initial bewilderment of course, Sam the two join forces to uncover the truth.

The value of the plot of Moon is not to conform to Hollywood clichés that tend to build whole script on a secret and then reveal a few moments of credits . The mystery of the film, or who is the 'other Sam "and what we do there is revealed by the middle of the stage giving way to the history of evolution in a meaningful way and the viewer to think about the background. The fact that the entire course is set on the moon base and Sam Rockwell is the only player not making the film dull: Several plans are in fact on which the narrative develops, one side is the relationship between the two Sam and the other one with Gerty, as limited as that machine turns out to be far deeper than expected.

The result is an hour and a half story well-dosed, with no accelerations nor long pauses, which is enriched towards the end of a moral not a foregone conclusion. A beautiful science fiction that the director Duncan Jones, who escapes the now almost obvious contamination with the action and becomes a vehicle for a message and emotions altogether sincere. To see.