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Moon - Review

Moon is, in many ways, a work of nostalgia. Are the aspects of science fiction, which pay homage to Kubrick and plenty Tarkovski, the most purely narrative, are interested in the oppression of a large multinational, and technical, with special effects and set design taste decidedly retro '.

The result is a film to be recommended especially to a nostalgic fiction that the 2000s have plenty of neglected and that only in this end of the decade looks set to recover.

In the near future the corporation on the Moon Lunar Technologies discovered a new source of energy much more efficient and less polluting fossil fuels , Helium 3 is the energy of the future.

Providentially, its extraction requires little human resources: a single technician can keep an eye on the operation of a fully automated basis, and perform daily tasks of monitoring and collection. Sam Bell (Sam Rockwell) is to successfully fulfill a contract for 3 years has bound to work solo as a controller of the lunar station, the only company consists of Gerty (voiced by Kevin Spacey), a sentient robot can not remember the HAL 9000 of "Space Odyssey", without giving up on a personality of its own. Sam's life, punctuated by waiting for the video messages of his wife and small daily activities to combat loneliness and paranoia, changes radically with the emergence of glimpses to open eyes. Following an accident caused by one of these hallucinations, the protagonist begins to see another wander around the base itself, and discovered to be able to interact. After the initial bewilderment of course, Sam the two join forces to uncover the truth.

The value of the plot of Moon is not to conform to Hollywood clichés that tend to build whole script on a secret and then reveal a few moments of credits . The mystery of the film, or who is the 'other Sam "and what we do there is revealed by the middle of the stage giving way to the history of evolution in a meaningful way and the viewer to think about the background. The fact that the entire course is set on the moon base and Sam Rockwell is the only player not making the film dull: Several plans are in fact on which the narrative develops, one side is the relationship between the two Sam and the other one with Gerty, as limited as that machine turns out to be far deeper than expected.

The result is an hour and a half story well-dosed, with no accelerations nor long pauses, which is enriched towards the end of a moral not a foregone conclusion. A beautiful science fiction that the director Duncan Jones, who escapes the now almost obvious contamination with the action and becomes a vehicle for a message and emotions altogether sincere. To see.

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Zombieland - Review

live by the rules. A healthy habit that I am not really capable of learning.

If the equation in a normal world "life rules + = good life" is likely, adding the factor X, that blood-thirsty zombies, the result would give "life rules + + X = the only way of survival" .

Here is the equation that keeps them alive Columbus (Jesse Eisenberg), a high school student who, thanks to its unexpected quality is managed to escape the virus that has infected nearly all the world's population, turning innocent citizens hungry undead human flesh.

to allow him to do everything is the strict observance of the rules he has given himself; some examples? Cardio, or keep in shape, the zombies run fast. Double Tap, which is always fire a further blow to security. Wearing seat belts when driving at full throttle in desperate flight you never know where you going to crash, and so on.

This thirty practice guidelines are one of the key points of the plot of the film, and they appear nicely on the screen every time someone looks, or forget to do so with tragic consequences.

"Zombieland" and "The Night of the Living Dead" of the new millennium. A little ' high school movie, very videoclipparo, frantic, seasoned with the healthy fetish for guns and gore , structured like a video game. Play with the audience, winking, splatter (but not too much) and not boring.

it to work are the characters: the phobic, unable nervous and always joins Columbus Talahassee soon (Woodie Harrelson), a cynical and muscular fellow traveler with a passion for fantasy and zombie massacre in constant search of his favorite snacks unavailable.

In his state of perpetual escape the unlikely duo is learning to live with and a solid balance: Talahassee realizes that some rule can save your skin healthy, Columbus that sometimes we must let go and "enjoy the little things" ( Rule No. 32).

Their wandering (with hazardous deviations in the name of the infamous snack) is random, however, upset by the encounter with the beautiful teenager Wichita (Emma Stone) and her sister, twelve year old Little Rock (Abigail Breslin), the which turn out to be much less innocuous than expected targeting fraud even before the disaster, the two do not make trouble swiped the precious machine Talahassee and run away. Destination Pacific Playland, an amusement park where the little Little Rock wants to go at all costs, pursuing the dream of a life in some way "normal".

Thus begins a chase that will lead players to bond inseparably, with a spectacular showdown in the infamous Luna Park.

Directed by Ruben Fleischer experienced first hand the film does not spare use of slow motion very "artistic", sometimes frantic editing and use ingenious set design that transforms public places every day in real battlefields.

Highly effective even make-up and interpretation of the zombies, making them totally believable in their frantic search for fresh meat: forget the dumb walking corpses of Romero, here replaced by fast and psychotic killer.

alternating sequences anthology (the supermarket and the home of Bill Murray cameo on at all) at some point a bit 'more "tired" and called (the predictable love story ) the film drags the viewer in an enjoyable and entertaining, despite its predictability, which is fully satisfaction with the characters brilliantly "written" and well interpreted, and can take the right.

rewarding and enjoyable as a long game of Left 4 Dead and Dead Rising (which often is openly based) Zombieland is not really to lose.

In our rooms will arrive only in May 2010, due to obscure business operations.

If you find that zombie comedy can make a nice mix, aspettatelo excited!

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V - Review

On 3 November, ABC aired the first episode of V, a remake of the original Visitors hit series dating back to 83.

As I have not seen the original series, I approached with curiosity to this new proposal with Flashforward that seems to have reached a certain maturity and self-consciousness (but more about that soon in the new post), Lost to the forthcoming final Heroes season and despite a fifth chapter that is interesting (sigh) on the brink of cancellation, any new science fiction series that can not attract my interest, and rekindle hope.

Unfortunately, this first episode has proved a bitter disappointment.

Behind an incipit that makes no secret of quoting / taking Independence Day game, with the huge vessels that burst out of nowhere on a day like many others, events take a strange turn: the belly of the 29 mother-ship that dominates many capitals of the world is threatening to reshape the television screen, and around the world echoed the reassuring words of Anna, the leader of qesto civilization came from another world, which turns out to be anthropomorphic in an almost disquieting.

"We have no intention to hurt you, we are far from home and in trouble, and we will reward your help with our advanced technology."

These quiet words, combined with the attractive female human figure that pronunciation quite naturally trigger worldwide wave of enthusiasm and emotion: the little green men are not green, and looks a bit ', they are not bad!

As world leaders gather to welcome Anna and listen to his requests, outlines the main characters, ordinary people who for one reason or another will find themselves involved in the affair.

Erica Evans (or Elizabeth Mitchell, who many will remember as Lost's Juliet) is an FBI agent on the trail of a terrorist cell that accumulates C4 to prepare carefully.

His son Tyler, a boy who is fascinated by V and mature a kind of fanaticism for their peaceful and seemingly easy-going nature.

Chad Decker, a brilliant anchorman of a famous television station, was chosen by Anna to conduct a personal interview will prove far less transparent than expected.

Father Jack Landry, who are positive despite the fact that his church is full of new believers looking for answers in the Word, can not not feel a strong threat in the advent of V.

Ryan Nichols, about to get married, it turns out to be a V in disguise.

Their personal stories are interwoven on the basis of a script full of holes and passages not credible. Directing, acting, special effects, all stood at a level just mediocre.

Even more important, and the sequence rich in pathos, where V is shown for the first time in his reptilian nature, can fail and become little more than ridiculous.

The listening to the stars, mainly due to the reputation of the original series and the massive hype in the U.S., are justified only novelty effect, already compromised very unlikely the series will ever be saved by the unintentional humor that permeates the .

If you are completely desperate and running out of series to be recovered, V is ready to bore you and make you understand the meaning of the words "exploitation of a famous mark."

Otherwise, watch the pilot to make a laugh and change the channel, will no doubt find anything better.

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Trailer Roundup: Sherlock Holmes, Prince of Persia, Battlestar Galactica Avatar


It 's a great flakes trailer recently. While Avatar is approaching the issue with the first full official trailer, Sherlock Holmes is shown for the second time, and Prince of Persia makes his first appearance.

start with the detective of Baker Street. The frenetic two minutes and a half promo indugiuano plenty of action and the relationship between the brilliant detective to his most important collaborator, Dr. Watson. If Robert Downey Jr. seems to have fallen perfectly into the part, and with a few jokes based on hair and staring eyes can already upset to give the character a new dimension and convincing, little room is left to Jude Law, could be a simple choice promotion, the hope is, however, that the character is intended for a more important role than that of mere shoulder for jokes and last-minute rescues.

Interesting scenes, which seem to blend the dark comic inspirations already seen in "From Hell - The True Story Jack the Ripper "to a more personal look, reveals that in some long shots of London a more colorful, though the distinctive features of the gray industrial revolution is always left plenty of room. The rapid sequence one after another, suggesting some vague references and esoteric element steampunk , and still plenty of action.

For those who loved the books deal with this film adaptation will be a little 'a leap of faith, accept and will include a review of course very clear: this does not mean that the characters remain clearly marked, and that Robert Downey Jr. has already demonstrated the ability to fundamentally transform a mediocre film into something enjoyable. Keep on Hoping.

Moving to Prince of Persia, the vision of the trailer I vaguely recalled the first time I saw the promo for Pirates of the Caribbean. Fracassone action, beautiful costumes, sumptuous sets, lungissimi fields and rich detail. The problems are basically two: Jake Gyllenhaal is not Johnny Depp, Ben Kingsley and Joffrey is not Rush. As the former Donnie Darko functions beautifully in the role of the Prince, remains to be seen if its confirmed skill as an actor can reveal versatile and adapt to the interpretation of an all action blockbuster, special effects and witty jokes, but unfortunately, his previous dramatic interpretations and introverted does not bode well in this regard. The sequences shown

does not suggest anything new under the sun, and the risk of crazy crap is just around the corner.

conclude with Avatar, without concealing that not expecting a film with so much anxiety for some time. Will that science fiction cinema is dying, it will be something that reminds me of the underrated "Starship Troopers", but the new work by James Cameron might actually be worth something. What we have seen so far on the planet Pandora leaves the reader breathless, the characters all have a certain charisma and seems to have been a lot of space devoted to dialogue in depth. In this regard it is interesting to note that the trailer was manufactured, leaving little room for the frenetic action scenes that might be expected, in favor of a slower pace and dedicated to the relationship between the characters. As not exactly original, the story seems to propose psyche and social implications is not trivial, the sign of belonging to science fiction than real, the "educated", which hopefully can be confirmed. The final crescendo lingers on some spectacular battle, the triumphant notes of a pre-battle speech typical blockbuster made in the USA, which slightly detracts from the excellent atmosphere built in the first two minutes. The risks of meatloaf are there, but a long series of encouraging details keep alive the flame of hope. Make us believe, James.